Blackmagic Design Blackmagic URSA Mini Pro 4,6K
- Vaihdettava mount -bajonetti
- Vakiona Canon EF bajonetti
- Optiona PL- B4- ja Nikon mount kiinnitykset
- ND-suodin ja IR-Cut
- Ulkoiset säätimet useille toiminnoille (mm. iris ja focus)
- LCD -infonäyttö sivulla
- Max. 60fps 4.6K-tallennus
- Max. 120fps 2K tallennus Full HD Window-moodissa
- 25.34mm x 14.25mm (Super35) CMOS-kenno
- Kennon dynaaminen herkkyys: 15 stops
- Tallennusmedia: 2kpl CF / CFast 2.0 -korttipaikkaa ja 2kpl SD -korttipaikkaa
- 2 x XLR -ääniliitännät
- Sisäänrakennettu ND-suodin: clear, 2-stop, 4-stop ja 6-stop
- 4″ LCD kosketusnäyttö
- Tärkeimmät toiminnot painikkeilla ja asetuspyörillä. Iris pyörä ja painike. 2kpl käyttäjän muokkaamaa painiketta
- Hyvin toimiva Focus Peaking
4608 x 2592
4608 x 1920 (4.6K 2.40:1)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K DCI)
3840 x 2160 (Ultra HD)
3072 x 2560 (3K Anamorphic)
2048 x 1152 (2K 16:9)
2048×1080 (2K DCI)
1920 x 1080
CinemaDNG RAW, CinemaDNG RAW 3:1, CinemaDNG RAW 4:1, Apple ProRes 4444 XQ QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime and ProRes 422 Proxy QuickTime.
- SDI Video Output: 1 x 12G-SDI 10-bit 4:2:2
- SDI Video Input: 1 x 12G-SDI
- Ref Input 1 x Reference Input
- Timecode Input: 1 x Timecode Input
- Timecode Output: 1 x Timecode Output
- Analog Audio Input: 2 x XLR analog switchable between mic and line levels
- Phantom power support to XLR
- Analog Audio Output: 1/4” jack output for headphone monitoring
- SDI Audio Output 2 channel
- Remote Control: 1 x 2.5mm LANC for Rec Start/Stop, Iris Control and Focus.
- Lens control -liitäntä: Computer Interface
- USB 2.0 Mini-B port for software
Huom. joidenkin kuvien lisävarusteet eivät kuulu toimitukseen (Objektiivi, Vlock akku-plate, akku, Ursa Viewfinder -etsin ja Ursa Mini Shoulder Kit -olkatuki)
The URSA Mini Pro features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The clear, 2, 4, and 6 stop filters have been specifically designed to match the color science of the URSA Mini Pro in order to maintain consistent image quality with minimal color shift. The ND filters conveniently let you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. Additionally, the internal IR filters have been designed to filter both optical and infrared wavelengths evenly to eliminate IR contamination of the images that can be brought about by standard ND filter. A precision mechanism holds the filters and quickly moves them into place when the ND filter dial is turned. Furthermore, the current filter settings can be displayed as an ND number, stop reduction, or fraction on the LCD.
External Control Section
Using a design inspired by classic broadcast cameras, the URSA Mini Pro features a wide array of tactile physical controls with direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember, so you'll be able to adjust camera settings, apply ND filters, and change frame rate without having to look at the buttons, dive into on-screen menus or take the camera off of your shoulder.
User-Interchangeable Lens Mounts
By default the URSA Mini Pro includes an interchangeable EF mount. But, if you want to use lenses with F (Nikon), PL, or B4 mounts, separately available interchangeable mounts can be purchased. Having an interchangeable lens mount allows the URSA Mini Pro to be used in nearly any kind of workflow, from documentary, to ENG or EFP, and cinema. For ENG lenses, a 12-pin Hirose connector will power the servo so all lens functionality can be utilized.
The status display is a high visibility black-and-white LCD screen that's designed to be easily seen, even in bright light. The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, ISO, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen's backlight can be turned on when you're shooting in dimly lit locations, and off when you're shooting outdoors and in bright light to increase contrast, making it easy to read under nearly any shooting condition.
Advanced Image Processing
Third generation Blackmagic Design color science is used to process the raw sensor data, enabling rich skin tones, natural color response, and a wide dynamic range. The full color gamut recorded by the URSA Mini Pro extends beyond Rec. 2020 and DCI P3, allowing the recorded images to fit into professional workflows from TV Rec. 709 to modern wide-gamut standards.
CFast 2.0 and SD Media Support
Two of each CFast 2.0 and SD slots are available for recording media. High-end workflows that require 4K or 4.6K raw recording and high-frame-rate shooting will take full advantage of the high-bandwidth CFast 2.0 cards. Raw HD and 4K ProRes material can be recorded onto convenient and relatively inexpensive SD cards compatible with the UHS-II standard. Since two of each slot is available, you can keep recording, regardless of format choice.
Compact Handheld Design
Sizing down the original URSA shape enables the URSA Mini Pro to fit into feature film, indie film, TV, commercial, documentary, and music video workflows with crews of any size. Using the optional shoulder mount with a built-in quick-release plate, the URSA Mini Pro can go from handheld to shoulder to tripod in a matter of seconds. Despite its size, the URSA Mini Pro still fits essential controls and I/O for professional workflows.
The body is made from Magnesium alloys in order to keep the URSA Mini Pro lightweight at just over 5 pounds. To make the camera more acceptable for handheld usage, a side handle is included. With the optional shoulder mount, the handle can be extended off the side of the camera to be used in a doc-style configuration.
4.6K Super-35mm Sensor
With an effective resolution of 4608 x 2592, the sensor housed inside the URSA Mini Pro can capture motion pictures that have greater-than 4k resolution with a film-like 15 stops of dynamic range. A wide exposure latitude allows for greater control in post, enabling highlight recovery while keeping the shadows clean from artifacting.
The URSA Mini Pro can record the entire sensor at up to 60 fps to fit television or other workflows which require higher frame rates. Using a smaller portion of the sensor, the URSA Mini Pro can also record slow-motion footage at up to 120 fps in 1080p resolution. When recording high frame rates, the URSA Mini Pro will conform captured footage to the set standard frame rate resulting in smooth footage that doesn't require post processing before editing.
In addition to more traditional button-driven menus and the bevy of external controls, the URSA Mini Pro features a fold-out 4" capacitive touchscreen LCD monitor. Using the easily navigable touchscreen menu you can see and change all camera settings, view timecode, scopes, audio levels, and focus peaking, as well as add shot metadata with an onscreen keyboard.
The URSA Mini features multiple connections such as 12G-SDI out, HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, timecode-in, and reference input. On the front right side of the camera the 4 pin XLR DC and HD-SDI monitoring output are located in the perfect position for connecting to an optional viewfinder or on set monitor. The 12G-SDI output handles up to 2160p60 using a single BNC cable and also switches to 6G-SDI or HD-SDI depending on the shooting format.
Quality Sound Recording
With high quality built in microphones and professional audio recording features you don't have to carry around extra sound equipment. You can use the built in stereo microphone to record natural location sound or connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug shotgun mics or wireless lavalier mics for capturing more detail. You can quickly adjust levels using the physical knobs while monitoring the audio using the onscreen audio meters and headphones.
Multiple Power Options
On its own, the URSA Mini Pro includes a 4-pin XLR industry standard power connector that works with 12V to 30V external power supplies. That means it's easy to use the camera with existing professional power supplies and batteries. The camera uses the same battery power connector and mounting points on the rear of the camera as used on the original URSA so you can use the same range of battery plates from a wide range of manufacturers such as IDX, Frezzi, Anton Bauer, and more. You can also add the optional Blackmagic URSA V-Lock Battery Plate for using popular V-Mount batteries.
DaVinci Resolve Software Included
Included with the camera is a DaVinci Resolve USB dongle, which contains a license to unlock the full feature-set within the software. The full version of DaVinci Resolve is compatible with Mac and Windows, and can be used for editing, color grading, media management, mastering, and delivery. DaVinci Resolve is designed to handle the 12-bit log RAW images from URSA Mini Pro so you can take advantage of URSA Mini Pro's image quality and wide dynamic range. DaVinci Resolve features advanced, multi-layer timeline editing with powerful trimming tools, along with a fully professional suite of creative grading tools
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